Disobedience. The new architecture and the challenge to the status quo
Keywords:
Obedience, criticism, resistance.Abstract
We humans are disobedient by nature. For a long time we have been fighting against imposed limitations and forces, some of which tend to create illusions and false needs in our minds. Doing nothing, in times when some action is expected, is often a choice for dissent, mostly made by those who defy the establishment, the status-quo, and tend to reveal the falsity of the prevailing conditions, of programmed obedience. These realities have been threatened, ignored, silenced, and unknown, but it is time to take them up again. It time to claim our autonomy based on the definition of the person and his exploration. We seem to have lost the ability to disobey. It seems that we let our instincts be silenced, without resisting. We rarely question why we obey, who we really obey, why we obey. We seem to have forgotten that choice is not only possible, but welcome. How many of us praise doubt? How many of us feel that the ability of questioning everything is not only desirable, but healthy? Throughout our lives, we humans, are persistently instructed to limit ourselves, and are driven by an artificial devotion to what we are told to do, to be, to feel… We often misunderstand the difference between the means and the end. We lock ourselves into a world of blind obedience, where even architecture is no longer alive, no longer evolves, does not breathe or decide, a world where architecture is a field in continuous decline, where there is nothing new under the Sun. Such a feeling creates a fertile ground for skepticism and raises even more barriers against evolutionary change; killing architecture itself, in a continuous loop heading towards emptiness. Reversing such a loop requires new alternatives. Architecture has to further embrace art and become more deeply inspired by literature, drink from its influences, absorb its motivations and evolve based on similar premises. A few brave souls have already had the courage to take risks, choosing to disobey the establishment, showing an ability to stand firm with their innovative choices, to have the choice and cause change in knowledge, resistance and criticism.
Downloads
Additional Files
- Marina Abramovich & Ulay, Performance, in MVRDV, Farmax, Rotterdam- 010 Publichers, 1998 (Español (España))
- La Petatera de la Villa de Álvarez en Colima –sabiduría decantada-, Carlos Mijares Bracho. 2000 (Español (España))
- Junya Ishigami, Architecture as air. Bienal de Arquitectura de Venecia, 2010 (Español (España))
- Toyo Ito, La chica nómada de Tokio. 1985. (Español (España))
- Hans-Walter Müller, Iglesia Nómada. Francia, 1969 (Español (España))
- Michael Rakowitz , paraSITE. Battery Park City in Manhattan 2000 (Español (España))
- Marcel Duchamp, La fuente. (Español (España))
- A Torinói ló (The Turin Horse), Béla Tarr, Ágnes Hranitzky. 18’43’’ (Español (España))
Published
Issue
Section
License
The texts published in this journal are the subject if otherwise indicated a CC license Attribution 4.0 International. You must recognize the credit work properly, provide a link to the license, and whether changes have been made. You can share and adapt the work for any purpose, including commercial. You can do this in any reasonable manner , but not in a manner that suggests that the support of the licensor or receives for his use. No additional restrictions. You can not apply legal terms or technological measures that legally restrict others to make any use permitted by the license.
Also, the texts published in this journal are not subject or processing costs (article processing charges- APCs) or sending (article submission charges).
Â
Â
Â
