{"id":977,"date":"2018-05-14T15:12:00","date_gmt":"2018-05-14T15:12:00","guid":{"rendered":"http:\/\/www2.ual.es\/redesliterarias\/?p=977"},"modified":"2018-05-27T15:21:07","modified_gmt":"2018-05-27T15:21:07","slug":"podcast-la-odisea-en-24-horas-capitulo-12-poesia-y-deporte-en-la-corte-de-alcinoo","status":"publish","type":"post","link":"https:\/\/www2.ual.es\/redesliterarias\/2018\/05\/14\/podcast-la-odisea-en-24-horas-capitulo-12-poesia-y-deporte-en-la-corte-de-alcinoo\/","title":{"rendered":"PODCAST LA ODISEA EN 24 HORAS. CAP\u00cdTULO 12: POES\u00cdA Y DEPORTE EN LA CORTE DE ALC\u00cdNOO"},"content":{"rendered":"<ul>\n<li>Referencias musicales: Bonnie Tyler, \u2018I Need a Hero\u2019. Bach, \u2018Sarabande\u2019. Eric Satie, \u2018Gnosiennes 4, 3 &amp; 1\u2019. Vangelis \u2018Carros de fuego\u2019.<\/li>\n<li>Referencias textuales: Derek Walcott, <em>La Odisea<\/em>. Madrid: Visor. 2005.<\/li>\n<li>Referencias bibliogr\u00e1ficas: Samuel Eliot BASSETT, <em>The Poetry of Homer. New Edition<\/em>. Lanham; Boulder; New York; Oxford: Lexington Books, 2003;\u00a0Irene DE JONG, <em>A narratological commentary of the Odyssey<\/em>. New York: Cambridge University Press, 2001 (Est\u00e1 en la Biblioteca de la UAL); A. F. GARVIE, <em>Homer, Odyssey, Books VI-VIII<\/em>. Cambridge: Cambridge University Press, 1994. Gregory NAGY,\u00a0<em>The Best of the Achaeans. Concepts of the Hero in Archaic Greek Poetry.<\/em> Baltimore;London: The John Hopkins University Press, 1979.<\/li>\n<li>Colaboraci\u00f3n especial de Luis Porras Wadley,\u00a0Director | KSE Academy\u00a0<a href=\"http:\/\/www.keepsmilingenglish.com\">http:\/\/www.keepsmilingenglish.com<\/a><\/li>\n<\/ul>\n<p><a href=\"http:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2018\/05\/Odisea-Walcott.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-980\" src=\"http:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2018\/05\/Odisea-Walcott-189x300.jpg\" alt=\"\" width=\"189\" height=\"300\" srcset=\"https:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2018\/05\/Odisea-Walcott-189x300.jpg 189w, https:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2018\/05\/Odisea-Walcott.jpg 505w\" sizes=\"auto, (max-width: 189px) 100vw, 189px\" \/><\/a><a href=\"http:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2018\/05\/2444.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-981\" src=\"http:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2018\/05\/2444-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2018\/05\/2444-200x300.jpg 200w, https:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2018\/05\/2444.jpg 333w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><a href=\"http:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2018\/05\/Bassett.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-982\" src=\"http:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2018\/05\/Bassett.jpg\" alt=\"\" width=\"128\" height=\"198\" \/><\/a><a href=\"http:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2018\/05\/200px-Raffael_075.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-983\" src=\"http:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2018\/05\/200px-Raffael_075.jpg\" alt=\"\" width=\"200\" height=\"244\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Referencias musicales: Bonnie Tyler, \u2018I Need a Hero\u2019. Bach, \u2018Sarabande\u2019. Eric Satie, \u2018Gnosiennes 4, 3 &amp; 1\u2019. Vangelis \u2018Carros de fuego\u2019. Referencias textuales: Derek Walcott, La Odisea. Madrid: Visor. 2005. Referencias bibliogr\u00e1ficas: Samuel Eliot BASSETT, The Poetry of Homer. New Edition. Lanham; Boulder; New York; Oxford: Lexington Books, 2003;\u00a0Irene DE JONG, A narratological commentary of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":984,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"cwp_meta_box_check":"No","cwp_rev_product_name":"","cwp_rev_product_image":"","wppr_links":[],"cwp_rev_price":"","wppr_options":[],"wppr_pros":[],"wppr_cons":[],"footnotes":""},"categories":[6],"tags":[],"class_list":["post-977","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-proyecto-la-odisea-en-24-horas"],"wppr_data":{"cwp_meta_box_check":"No"},"_links":{"self":[{"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/posts\/977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/comments?post=977"}],"version-history":[{"count":5,"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/posts\/977\/revisions"}],"predecessor-version":[{"id":1019,"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/posts\/977\/revisions\/1019"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/media\/984"}],"wp:attachment":[{"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/media?parent=977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/categories?post=977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/tags?post=977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}