{"id":238,"date":"2015-10-22T14:35:01","date_gmt":"2015-10-22T14:35:01","guid":{"rendered":"http:\/\/www2.ual.es\/redesliterarias\/?p=238"},"modified":"2015-10-22T14:46:08","modified_gmt":"2015-10-22T14:46:08","slug":"podcast-6-canto-iv-proteo","status":"publish","type":"post","link":"https:\/\/www2.ual.es\/redesliterarias\/2015\/10\/22\/podcast-6-canto-iv-proteo\/","title":{"rendered":"PODCAST LA ODISEA EN 24 HORAS. CAP\u00cdTULO 6: PROTEO"},"content":{"rendered":"<p>PODCAST 6: CANTO IV. HELENA Y EL CABALLO DE TROYA<\/p>\n<ul>\n<li>Referencias musicales:\u00a0Bonnie Tyler, \u2018I Need a Hero\u2019. Queen, &#8216;A kind of Magic&#8217;. Mark Knopfler,<strong>\u00a0&#8216;<\/strong>Going Home: Theme of The Local Hero&#8217;. Debussy, &#8216;Arabesque N\u00ba 1&#8217;.<\/li>\n<li>Referencias textuales: Jorge Luis Borges,\u00a0<em>Proteo<\/em>.<\/li>\n<li>Referencias bibliogr\u00e1ficas: Fran\u00e7oise FRONTISI-DUCROUX,\u00a0<em>El hombre-ciervo y la mujer-ara\u00f1a. Figuras griegas de la metamorfosis<\/em>. Madrid: Abada Editores, 2006. (Ed. orig. Gallimard, 2003) y Pietro CITATI,\u00a0<em>Ulises y la Odisea. El pensamiento iridiscente<\/em>. Barcelona: C\u00edrculo de Lectores, 2008. (Est\u00e1 en la Biblioteca de la UAL).<\/li>\n<\/ul>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2015\/10\/Frontisi.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-243\" src=\"http:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2015\/10\/Frontisi-300x300.jpg\" alt=\"Frontisi\" width=\"300\" height=\"300\" srcset=\"https:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2015\/10\/Frontisi-300x300.jpg 300w, https:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2015\/10\/Frontisi-100x100.jpg 100w, https:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2015\/10\/Frontisi-150x150.jpg 150w, https:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2015\/10\/Frontisi-50x50.jpg 50w, https:\/\/www2.ual.es\/redesliterarias\/wp-content\/uploads\/2015\/10\/Frontisi.jpg 340w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PODCAST 6: CANTO IV. HELENA Y EL CABALLO DE TROYA Referencias musicales:\u00a0Bonnie Tyler, \u2018I Need a Hero\u2019. Queen, &#8216;A kind of Magic&#8217;. Mark Knopfler,\u00a0&#8216;Going Home: Theme of The Local Hero&#8217;. Debussy, &#8216;Arabesque N\u00ba 1&#8217;. Referencias textuales: Jorge Luis Borges,\u00a0Proteo. Referencias bibliogr\u00e1ficas: Fran\u00e7oise FRONTISI-DUCROUX,\u00a0El hombre-ciervo y la mujer-ara\u00f1a. Figuras griegas de la metamorfosis. Madrid: Abada Editores, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"cwp_meta_box_check":"No","cwp_rev_product_name":"","cwp_rev_product_image":"","wppr_links":[],"cwp_rev_price":"","wppr_options":[],"wppr_pros":[],"wppr_cons":[],"footnotes":""},"categories":[6],"tags":[],"class_list":["post-238","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-proyecto-la-odisea-en-24-horas"],"wppr_data":{"cwp_meta_box_check":"No","cwp_rev_product_name":"","cwp_rev_product_image":"","cwp_image_link":"image","cwp_rev_price":""},"_links":{"self":[{"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/posts\/238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/comments?post=238"}],"version-history":[{"count":7,"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/posts\/238\/revisions"}],"predecessor-version":[{"id":247,"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/posts\/238\/revisions\/247"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/media\/239"}],"wp:attachment":[{"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/media?parent=238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/categories?post=238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www2.ual.es\/redesliterarias\/wp-json\/wp\/v2\/tags?post=238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}